A Screenwriter, Act Two

Screenwriting
Screenwriting (Photo credit: pietroizzo)

“A Three Act Journey In The Land Of The Screenwriting Gurus
Jonathan Zimmerman
Los Angeles Review of Books
November 21, 2012

For those of us who love movies and fancy ourselves as “writers,” there is something mysteriously alluring about screenwriting. Essays are hard. History is harder. Novels are a stone bitch. But what can be so difficult about the mechanics of plot, dialogue, and stage direction? “Surely,” one thinks, “I could write a better script than half of the idiots doing so for a living.”

Obligingly, a small industry has emerged designed to help the cinephile scribe get his scriptwriting thing on. For those of us hovering on the edge of writing our first treatment, Jonathan Zimmerman offers a warning that is at once delightful and foreboding: don’t even go there.

Leaving aside the possibility that Mr. Zimmerman is simply trying to limit his potential competition, there is something that rings true in his gently recounted frustration with the modest-sized shelf of books he has devoured about the screenwriting craft. This is not a success story – yet. Mr. Zimmerman is still writing “spec” scripts, cranked out in the hopes that someone will buy them or, seeing a talent in the words, hire him for some paid work.

I am pulling for Mr. Zimmerman to succeed. Even though it is a fickle business and the screenwriter is as dumped on by the literary establishment as by everyone else in the Hollywood food chain (from the studio heads all the way down to craft service), the work is underrated. My favorite films are the well-written ones, and I have a gut feeling that Hollywood’s competitive future depends more on great writing than anything else.

What I am not sure is that certificate programs at UCLA, seminars at The Writer’s Store, Final Draft 8, and a shelf of how-to books are going to get us there. We need something more.

The question is “what?”

Meanwhile, I’m back to work on my treatment of a Miami Vice-meets-China pilot.

Advertisements

Author: David Wolf

An adviser to corporations and organizations on strategy, communications, and public affairs, David Wolf has been working and living in Beijing since 1995, and now divides his time between China and California. He also serves as a policy and industry analyst focused on innovative and creative industries, a futurist, and an amateur historian.

1 thought on “A Screenwriter, Act Two”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s