A View to a Film

San Fran Cinema
by Andrew Moss
Film reviews and film comment

Borrowing an old phrase from my dad, if I had a nickel for every film review website out there, I could retire. All any of us needs to become an ersatz Roger Ebert or Pauline Kael is a pair of eyeballs and a blogging account.

So it was a delight to stumble across a site written by a film lover that is pithy, erudite, and often right on the money. Andrew Moss, a London-born, San Francisco-based writer with deep roots in the movements that wracked the Bay Area from the 1960s forward, has taken time away from meaning-filled pursuits to share his views on film. And it’s a good thing.

Moss has only been at it for a few months, but his Ramparts roots show. Not only is he engaging, he also has a way of gently dismembering a film for egregious failings without being dismissive or seeming to turn red in the face with rage. His scalpel is subtle but firm – deftly juxtaposing Leni Riefenstahl with Zero Dark Thirty director Kathryn Bigelow better underscored Bigelow’s artful avoidance of issues in a political thriller.

The other joy is his scope of interest. He doesn’t feel obliged to review every piece of bubblegum that makes its way into the multiplex. Moss is a discriminating filmgoer, and the list of films he bothers to watch is turning into my filter. I can see things getting to a point where if my spouse, progeny, or id are not dragging me to the theater, I’ll only watch what Moss suggests. His reviews thus far include The Master, Johnny Guitar, Vertigo, Argo, Lincoln, Hitchcock, Life of Pi, and Back to 1942.

Add SanFran Cinema to your movie review lists, Californios.

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