Re-Examining Oliver Stone

Twins.

“You can’t even make a movie critical of America practically, unless you do it in a very lighthearted way,” Stone says. The ‘70s were “a time where people were re-examining — what were we doing in Vietnam? But that hasn’t happened (since). What are we doing in Iraq? What are we doing in Afghanistan? There’s just no questioning in movies.”

Source: Oliver Stone still seeking movie truth in ‘Snowden’

Reading this quote, offered by the director upon the release of Snowden, one was left with the unmistakable impression that Oliver Stone was already making excuses for what would rank as one of his most egregious box-office flops, almost – but not quite as bad – as Heaven and Earth.

I was tempted upon reading this to ask Mr. Stone whether he is familiar with the vast corpus of documentary work that is scathingly critical of America? Or, indeed, whether he has heard of films like Lions for Lambs, Syriana, In the Valley of Elah, Margin Call, The Big Short, or Redacted, all of which were critical of the nation’s faults without descending into the cauldron of angry demagogic revisionism that is Mr. Stone’s customary swimming pool.

Regardless of whether it is hyperbole, ignorance, egregious self-promotion, or studied disinformation, Mr. Stone’s comment reflects poorly upon him and his exceedingly narrow world-view. Such a tunneled perspective in an auteur is only a problem when it is a reflected in his work. Unfortunately, given Mr. Stone’s choices of subject matter – recent American political history – this is indeed a problem.

Oliver Stone is no documentarian, and he has made clear his willingness to interpret historical events through the prism of his political beliefs. As Snowden drips its way into our living rooms, it is worth remembering that what Stone creates is works of interpretive fiction, not histories with dramatic license, and that in the end, his cause is not so much to reveal truth as it is the promotion of Oliver Stone.

 

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Butterfly Season


Aaron provides a perch to a Variable Checkerspot (Euphydryas chalcedona) atop a hill in Ojai.

We have an abiding affection for butterflies in our family, believing as we do that my late father’s spirit animal/petronas was a butterfly.

NB: I’m also a fan of honey bees, but they tend to be less amenable to handling.

Defining the Californias

Looking over Morro Bay, the epitome of a central Californian beach town. This is neither Laguna Beach nor Bodega Bay, and any similarities are purely physical.

Dividing California into regions is a matter of such ongoing debate and conjecture that it has become a cottage industry among geographers. As a student of geography and a native son of the Golden West, I figure I am as entitled as anyone to draw my own lines. To me, the division is as much cultural as it is physical or economic, and that sometimes those cultural divides can be intuited better than they can be rationalized.

In my time back in California after my two-decade sojourn in China, it has become clear that a very real change happens when you proceed north of the Inland Empire, the San Gabriel Valley, and the San Fernando Valley; north and west of Simi Valley; and west of the Conejo Valley. Pass those points, and suddenly a different California emerges, a more timeless place, a more relaxed pace removed from the intensity of Hollywood/tourism/technology/aerospace that is Southern California. Here the farm communities, beach towns, and megalopolis-resistant exurbs take over, dotted with Wal*Marts and Costcos, to be sure, but all in service of a life determinedly removed from the economic engines of media, commerce, and innovation.

In a sense, it is here where the state joins its singular geography of rugged coast, bucolic valleys and soaring mountains with a culture that blends midwestern sensibilities and values with a progressive spirit that seams to grow from soil, rock, and sea. It shouldn’t work, but it does, and it sets the region apart.

A similar change takes place traveling north. Something changes where the coast of Monterey Bay turns to face southward; where Gilroy’s garlic fields turn into Morgan Hill’s silicon suburbs; where the waters of the Central Valley begin to drain into San Francisco Bay; and where the tufa mounds of Mono Lake stand as mute testament to the resource rivalry that has always set California’s north and south against one another. This is the point where California begins its gradual shift into a climate and culture that share essence with the Pacific Northwest,  yet remain definitively Californian.

Can any of this be quantified? Probably not. But if you look with the right kind of eyes, stopping at a pull-off on the northbound 101 at the Conejo Grade just past the weigh station to survey what is ahead, you can see it. You enter a land where towns still have Main Streets, where man remains nature’s guest, and where wealthy retirees live next door to Navy engineers, sheriff’s deputies, and the prosperous, boot-strapped children of poor braceros. These elements foster a culture pleasantly distinct from the balkanization of SoCal and the hyper-gentrification of the Bay Area and its own sprawling exurbs.

So draw your own lines, if you must, but I submit that the dividing line between Southern and Central California runs roughly Point Mugu – Conejo Grade – Moorpark – Santa Clarita – Gorman – Palmdale – Barstow – Needles; and that the split between central and northern happens along a line of Santa Cruz – Morgan Hill – Modesto – Mono Lake – the point where US Highway 6 crosses the California/Nevada border.

I love this entire state for all of its regions and subcultures, but if you are looking for me, you’ll find me here, in between the lines.

Missing the old Pacific Electric 

A little transit nostalgia, courtesy of the Imagineers at Disney California Adventure.

Yeah, we should have spent the money on faster Red Cars operating on above- or below-grade tracks. We learned. We’re paying for the lesson now. Hindsight and all that.